也論卞之琳的“新格律”理論_28742.pdf

1、東南大學(xué)碩士學(xué)位論文也論卞之琳的“新格律”理論姓名：張艷申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：中國(guó)語(yǔ)言文學(xué)系；現(xiàn)當(dāng)代文學(xué)指導(dǎo)教師：姜耕玉20110301AbstractBianZhilin’SpoetryinheritedthecharacteristicsthatcreatedbyWenYiduowhoisamemberofNewMoonPoetry，buthehadmadesomebreakthroughalsoHistheorieshadpla

2、yedaroleasabridgeintheprocessofmaterializationofChineseNewPoetrySohispoetrywascalled“NewRhymingpoet“Hechangedthecluethatfromthevisualperspectiveofthepoetry，theexternalformofthesimplepursuitofneatideas，therhythmofthepoems

3、fromtheoutsidetoinside，tosuchalong。timetocausesoundpoetrygroupcreatesemotionalupsanddowns，whichestablishedtheNewrhythm，whichasthecoreoftherhythmsystemAndfromthestartingpointofthiStheory，thenumberofdifferentaudiotonestodi

4、stinguishbetweentheeffectsgroups，suggestedtwotoneontheMetricalPoetryargument：thefamoussingingtonewithrecitativeTheformermainlyreferstothethreetonepoemsinmanyversesoftheendofthegroupasthelatteriSmoreofagroupattheendofthes

5、econdtoneBianZhi1inMetricalPoetrytheorythatmodernChineseduoamorefeasiblethaninthedirectionofthemetricalpoetryfromthetotalsounddoctrine，andtheoldrulesof1iberation，becameabigstepforwardButhispoetryprovesthathistheoryisopen

6、toquestionThisisnotonlyastartingpointforfuturegenerationscancontinuetodevelop，butalsometricalpoetryofhistoryliesthepossibilityofrecreationBianZhilinregardhismetricaltheoryasaguidetopoetrywriting，learningrhymecanbeamodelf

7、orfuturegenerations，canalsobecreatedlaterbytheresourcesNinePoemspoetryfromtheBianZhi1intookovertheintellectual，styletocompletethetransformationoftheirown，contributedtothematurityoftheChineseIntellectualPoetryBothhiStheor