亨德爾歌劇凱撒大帝之初步研究——以兩首女高音詠嘆調為例

1、西安音樂學院碩士學位論文亨德爾歌劇《凱撒大帝》之初步研究--以兩首女高音詠嘆調為例姓名：李力申請學位級別：碩士專業(yè)：聲樂教學與演唱指導教師：楊寶玲2011-04西安音樂學院碩士論文 Abstract IIAbstract As a representative of Handel Baroque composers, is opera,

2、 oratorio, orchestral works and a creative master. He inherited a Baroque opera creative writing features of early opera and in the mature style of Baroque music to the mainstream context of the creation of the opera to

3、a new peak. Article is divided into three parts: the first part of the birth of opera, development and characteristics of each period briefly combing; second part of the detailed analysis of the Handel life, creation of

4、social, political, environmental, cultural background, and the opera “Julius Caesar“in Drama and historical status; the third part of “Julius Caesar“ in which “I cry for my destiny, ““back from the storm“ to do this musi

5、cal form two core aria melodies, modal harmonies, and big licks and jumping Into the interval of the concert, etc., and the Handel and Baroque opera singing style do analysis. Keywords：Handel; Aria; Baroque period; conce